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RECORDINGS
THE
COMPLETE 37 Congratulations
to Smith are in order for achieving what no other bassoonist has yet attempted
on disc, and to ASV for backing the project.
Want
List recommendations in 1987, 1988, 1989, & 1991. Virtuosic
and imaginatively varied works. Mr. Smith and the English Chamber Orchestra
play with great spirit and musicality. From
Best of the Year's New CD Releases: From
Records of the Month: Smith
has a vigor and rich tone that makes him always interesting to listen
to. Stylish
performances by Daniel Smith...Smith bestrides almost all these difficulties
with a nonchalant ease, and makes a simply gorgeous sound en route. ASV's Vivaldi Bassoon Concerto cycle occupied five individual full-price releases, now bundled together in a specially priced boxed set. It's safe to say that these 37 works constitute the largest one-composer contribution to the bassoon's concerto repertoire. While the works adhere to Vivaldi's patented quick-slow-quick three-movement form (save for the brief, four-movement "La Notte"), they're hardly stamped from the same cookie cutter. Try to predict how the churning sequences in the Allegros will play out and you'll constantly be surprised by Vivaldi's inventive vitality. The central slow movements contain some of Vivaldi's most poignant melodies (the C major Concerto KV 467's gorgeous Andante, for instance) and starkest mood paintings, such as the bassoon's obsessive dotted rhythm motif against a bed of sustained strings in the A minor KV 499. Each of the five discs is programmed to ensure maximum contrast and variety for those who wish to sit through, say, seven or eight concertos at a stretch. I wager that listeners will often return to discs three through five, for the Zagreb Soloists under Tonko Ninic's guidance bring more characterful bite, color, and accentuation to Vivaldi's orchestral writing than the less individual proficiency of Philip Ledger's excellent English Chamber Orchestra. Bassoon soloist Daniel Smith commands his unwieldy instrument to the point where it's all too easy to take his suave tone, superb breath control, and idiomatic flair for granted. Theoretically, five CDs' worth of baroque bassoon concertos from a single author is tantamount to overkill, but this set proves a glorious exception.-- RATING Sound Quality: 9 Artistic Quality: 9 Jed Distler, CLASSICS TODAY These
are modern instrument performances, of course, but they have a striking
family resemblance to the English Concerto discs in their general springiness
of step and unmannered liveliness. It rather goes to show that the big
question is not so much whether the instruments are "original"
or not, as what you do with them. The bassoon has perhaps undergone more
far-reaching changes and if you compare Daniel Smith with the player who
concluded the previous disc you will hear that the modern instrument has
much more "ping" around its sound and sings out the slow movements
in rather fruitier tones. Daniel Smith seems to take the view that the
fastest tempos he can do in the quick movements are the right ones, and
since his passage work is immaculate, and he still finds time for plenty
of very musical phrasing and never for a moment gives the idea he has
a train to catch, I think he can be said to have justified his view. Michael
McCraw takes more measured tempos in the outer movements of his work,
raising the question whether this was an interpretative choice or dictated
by the mechanism of the early instrument. If the "original"
bassoon makes a weaker sound, it would also be possible to find that it
has a sweeter voice in the slow movement, so not everything in the modern
instrument is pure gain.
__________________________________________________ VIVALDI:
7 FAVOURITE BASSOON CONCERTOS /
Daniel Smith,
bassoon ANTONIO
VIVALDI: ...I
am a great admirer of Daniel Smith. The bassoon is officially an 'endangered
species' of musical instruments and it is up to players like him to promote
the bassoon as a major solo instrument. In this he has succeeded admirably
as he performs regularly in both classical and jazz....Smith has recorded
all 37 of Vivaldi's bassoon concertos, a terrific feat within itself.
These concertos are technically demanding and Smith displays a fine technical
command of the instrument. His use of ornamentation is superb throughout
and he sings on the lowest notes with great ease-much to be admired. An
album better 'dipped' into by bassoonists and Vivaldi fans alike. Ideal
reference material. VIVALDI:
8 BASSOON CONCERTOS /
BAROQUE JAZZ
BASSOON
SAMPLER
5 BASSOON CONCERTOS HENRY
HARGRAVE:
Concerto No. 4 in Bb for Bassoon & Orchestra Performed
with the English Chamber Orchestra Daniel
Smith is a most able soloist, velvet toned and fluent, and the ECO are
in fine form, crisp, spring-heeled and apparently enjoying their work.
The recording is excellent...I thoroughly enjoyed this recording and recommend
others to do so... This
anthology has much to offer and it can be recommended to afficionados
of the instrument. An exceedingly pleasing disc with first-class sound...
ENGLISH
MUSIC FOR BASSOON & PIANO
WILLIAM
HURLSTONE:
Sonata in F Performed with Roger Vignoles, Piano Performances
are all expert and imaginative, and Smiths attractive tone quality
is well served by a vivid recording BBC
Radio 3's new signature tune is taken from the ASV recording of English
Music for Bassoon and Piano with Daniel Smith on bassoon and Roger Vignoles
on piano. For the next few months, early listener's will hear two movements
of the Avison Sonata in F... "Mr.
Smith's tone is warm and generous and Mr. Vignoles is as always, a treasure.
An unexpected release, to be sure, this is one of the best chamber music
recordings of the year"...
__________________________________________________ JAZZ SUITE FOR
BASSOON
A
suite especially written for Daniel Smith by renowned British composer
(and former member of classical/rock group 'Sky') Steve Gray. Originally
written and performed with the Welsh Chamber Orchestra, this version has
been specially arranged for small jazz combo and features some of the
best British jazz musicians on the scene today. MUSIC FOR
BASSOON & STRING QUARTET GORDON
JACOB:
Suite For Bassoon& String Quartet (1969) Performed with the Coull Quartet "
The agile, velvet-toned Smith and his bow-wielding colleagues play stylishly,
seductively and with admirable rapport in this splendid album."
"Daniel Smith is a virtuoso bassoonist with a beautiful sound... for everybody
who loves bassoon or chamber music in general..." "Whilst
these three substantial works would not fit into our traditional definition
of 'light music', they are nonetheless highly tuneful, sweet and palatable.
It was refreshing to hear two beautiful early Romantic works (both new
to me) alongside the concise and imaginative suite by English master Gordon
Jacob. Jacob was highly skilled in orchestration and his writing for this
particular ensemble is impeccable. Of the other two composers. not well-Known,
Danzi is regarded as being one of the main influences on Carl Maria von
Weber, and Reicha as having influenced the likes of Berlioz, Lizst and
Franck. Their chamber music is perfectly constructed, the bassoon having
one of five equal voices in the musical conversation Both bassoon and
strings have a rich tone complemented by stately tempi dignified and never
rushed. This could be described as light music in an extended form: well
worth hearing."
__________________________________________________ BASSOON
BON-BONS
26 short pieces and excerpts written by a wide range of composers, from Gordon Jacob and Debussy to Chopin and Bach. Performed with the Royal Philharmonic Orchestra, the English Chamber Orchestra, the Coull String Quartet and pianist Roger Vignoles. "...Daniel
Smith plays so expressively that in the end, even the jaded listener,
unaware of having much of a sweet tooth, is liable to weaken and reach
for a sample..."
"...Rachmaninov's 'Vocalise', beautifully turned by Mr. Smith,
as are all the items on this well recorded disc..." A
pleasantly mixed CD from the gifted Daniel Smith, contains many gems... ...Daniel
Smith, The James Galway of the Bassoon, serves up a generous
helping of musical confectionery: 12 transcriptions of very popular pieces
(with the RPO/Ettore Stratta), sprinkled throughout with further tasty
morsels by 6 English composers from Arena to Legare. Unique! "This
album is made up exclusively of good music: it relies not on a virtuoso
solo line, so the bassoon shines forth without a sense of dominating.
Each track is a tuneful miniature, ranging in period from early baroque
to mid 20th century, and featuring Daniel Smith alongside full orchestra,
string quartet or piano. About half of these were written for the bassoon;
the others are tastefully fresh arrangements of pre-existing classics.
Daniel Smith's virtuosity is not merely in his fingers; the wealth of
sounds he produces is almost incredible, from the classic grandfather-like
pomposity in his Gordon Jacob through to a cello-like richness heard in
his interpretations of Chopin, Elgar and Schubert. A rather more comprehensive
CD booklet would have been very welcome. This is a beautiful programme,
sensitively produced, making for good start-to-finish listening."
BRAVO BASSOON
Scott Joplin rags, Franz Schubert chamber music, Anton Rubinstein piano sonatas and George Gershwin songs are just some of the sources of inspiration for this varied collection of arrangements for bassoon and chamber group. Performed
with Jonathan Still, piano "Among
the most delightful selections are the spirited Scott Joplin rags...expressive
and enchanting renditions of Rossini, Schumann and Schubert and others...This
one is a keeper! Highly recommended." "Following
the terrific success of Bassoon Bon Bons, this happy collection
of music from Kern through Gershwin, Schubert and Fauré will give
pleasure to many..." "An
exuberant second helping of bassoon delights from American bassoonist
Daniel Smith (The James Galway of the Bassoon), following
on from his highly successful Bassoon Bon-Bons and demonstrating
just how versatile this remarkable instrument can be! (His Largo al
factotum is amazing!) Another hugely enjoyable 'crossover' White Line" This
disc was built on the success of the above album, Bassoon Bon-Bons,
following a winning formula of twenty-odd tasteful miniatures, and covering
a good range of tuneful music. One difference is that this programme is
a little more geared towards what we would call 'light music' including
Gershwin songs and Joplin rags, the latter performed with the strings
and piano of the delightful Caravaggio Ensernble. Nearly half of these
tracks are songs and it struck me what a perfect instrument the bassoon
is for capturing the lyrical and intimate qualities of the human voice.
It can be a bass, baritone, tenor or all three within the same piece.
Daniel plays these songs as though he's singing them with well-measured
tempi and plenty of breathing space. A highlight for me is his rendition
of Rossini's Largo Al Factotum from The Barber of Seville.
Like the above disc, this is a great programme to listen to complete right
through to the sumptuous bottom B flat at the end of Yankee Doodle. __________________________________________________ 18th
CENTURY BASSOON CONCERTOS Vol.1
CHRISTOPH
GRAUPNER:
Concerto in Cm Performed with the Ravina Chamber Ensemble "The
bassoon is "the gentleman of the orchestra", and Daniel Smith is a truly
fine bassoonist..." ..."These
two discs are very fine. They show that Smith has a superb technique,
that he moves from the cello-like bass register to the oboe-like upper
register with elegant smoothness, and that he maintains a lovely tone
throughout. His phrasing is sensitive whether lively or lyrical." __________________________________________________ 18th
CENTURY BASSOON CONCERTOS Vol.2
CHRISTOPH
GRAUPNER:
Concerto in G Performed with the Ravina Chamber Ensemble "
Bassoon fanciers will be pleased with these recordings, which are designed
to display the considerable capabilities of Daniel Smith __________________________________________________ VIVALDI
BASSOON CONCERTI
Concerto
No.34 in C
(RV471)
Performed with the Ravina Chamber Ensemble "The
distinguished artist Daniel Smith performs with the Ravina Chamber Ensemble,
displaying rare lyric quality and beauty..." __________________________________________________ THREE
BASSOON CONCERTOS
ANTONIO
VIVALDI:
Concerto in C for Bassoon & Strings Performed
with the English Chamber Orchestra "
The performances are truly fine, exploiting Smith's always virile sound
"
An unexpectedly successful recording of bassoon concertos which gave me
much pleasure. Smith is a master of colour and mood, and he has a strong
musical personality. Strongly recommended. ...This
release is something akin to a breath of fresh air. Whole-hearted, committed
performances from the American bassoon virtuoso Daniel Smith. JEANNE
SINGER: TO STIR A DREAM - American Poets in Song
LONDON
PRIDE
Performed with Roger Vignoles, piano __________________________________________________
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