Baroque
Music For Summer:
VIVALDI
Many
listeners think summer's a time when grandly
scaled romantic works should be mothballed
like plush overcoats, to be tried on again
when the weather cools down. Many want
music that's lighter in both texture and
philosophy. I hate to think of Baroque
chamber music as the musical equivalent
of a long, cool, tropical cocktail, but
lots of people use it that way. If that's
your pleasure, here's a quick survey of
a recent release.
There
are those who characterize Antonio Vivaldi
as a composer who wrote 500 variants of
a single concerto. Few make that claim
seriously, except perhaps those who haven't
spent much time listening closely to Vivaldi's
music. Granted, he adhered to certain
patterned conventions of his time, and
many of his works were purely functional
and no doubt quickly tossed off. But the
best of Vivaldi is inventive stuff, and
a lot of it bears close scrutiny.
Among
the more neglected corners of Vivaldi's
output are his 37 bassoon concertos. Daniel
Smith is working to rectify that in a
series with the English Chamber Orchestra,
conducted by Philip Ledger. Perhaps I
should pretend to be less surprised than
I am, but there's some lovely stuff here:
Vivaldi gives the bassoon fleet and truly
virtuosic allegro movements, and sweetly
turned slow ones. Smith plays a modern
instrument and uses modern techniques
(lots of timbral manipulation and a lavishly
artful vibrato in the slow movements),
but he plays with taste and makes a strong
case for these.
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